Ivone Tejerina, the evocative power of the watered down one.
The watercolors of Ivonne Tejerina exhibit bodegones ` mínimos', evoking the power of the watered down one in subtle surroundings and sensual, in which the fruit crystal objects, vases, glasses and predominate, showing fruits, juices of fruit and petals of flowers like color note. It centers the composition, trying to locate the dynamics of the elements in half or to the sides of the scene. It looks for with it to elaborate a work marked by the presence of objects and fruits in harmony, in line with his clear effluvia, presented/displayed within an outstanding balance, in which the suggestions predominate, without impositions.
The minimum search of the fluctuation in bodegones, without abusing elements, is fundamental to be able to recreate the suitable conditions to start off of which to consolidate a clearly poetic, intimist and personal speech. The tones predominate rosaceous, yellow, white, green, blue and violáceos, marked by impronta of the evidence, directed in the determination, it is to say that they are essential to transfer to the spectator an idea of studied sensitivity. It draws the elements, locating them, determining his position with clarity, for, soon, complementing it with the incorporation of the color, of different tones, that full and determines that is the one who in the objetualidad and the pieces of fruit. It is to say that the pincelada one is controlled, measured, looking for the harmony in perfectly drawn surroundings, without leaving the own final determination.
It draws the elements, locating them, determining its position with clarity, for, soon, complementing it with the incorporation of the color, of different tones, that full and determines that is the one who in the objetualidad and the pieces of fruit. It is to say that the pincelada one is controlled, measured, looking for the harmony in perfectly drawn surroundings, without leaving the own final determination.
His bodegones is specifically sucintos, because it looks for the calm distance of the baroque thing, allowing itself to consolidate spaces to size, generated from, located calculated, right, harmonic an attitude in the attitude, always considering the possibilities of development of the idea. It draws up a specific speech from the will of the essence of the color, that that allow him to savor as it perfumes, the flavor of the cromatismo, the evidence of the planes of intermediate tones, but always trying to emphasize thematic and the its content. It does not try to give protagonism to the bottoms, but that is interrogated by the composition, since the drawing is the protagonist, to arrange it with the evocative power of the watered down one.
It draws up a specific speech from the will of the essence of the color, that that allow him to savor as it perfumes, the flavor of the cromatismo, the evidence of the planes of intermediate tones, but always trying to emphasize thematic and the its content. It does not try to give protagonism to the bottoms, but that is interrogated by the composition, since the drawing is the protagonist, to arrange it with the evocative power of the watered down one.
This way drawing and outline, color and form follow a speech marked by an established script, that, nevertheless, an evident naturalness has, fresh, direct, pleasant, surrounding a presentation, until the point of which it catches the senses to enter into a dialogue to multiple bands. The evocación of the suggested offer in the complex feeling of which what presents/displays it is suggestive because he is beautiful and the beauty rests in the turns of the details of the soul. Thus, soul, chromatic determination, compositivo development and space are based on a speech that smells of perfumed music of the chromatic fragrances.
Joan Lluís Montané Of the Association the Critical International of Art
Hipólito Resto' & Arte
August of 2007
Buenos Aires
Argentina
